Domestic violence is some thing we have a tendency to brush underneath the carpet as a society. Often, it’s the children who endure the brunt of the combat among the parents. They are said to be scarred for existence, thanks to the reviews. Pihu is the story of 1 2 year antique woman who’s left all on my own inside the residence as her father has long gone to Kolkata for a assembly and her mom, in a suit of rage, has overdosed on napping tablets. The helplessness of the kid and the horror contained inside a closed residence is added forth thru some of regular happenings that we take without any consideration as adults but may be frightening for a kid. The duplex condominium is full of balloons which hold shooting up, one of the taps in the kitchen is left on, as is the iron, saved at the ironing table. The child unwittingly puts on the gasoline burners, and the button to the geyser. She’s proven to be in regular chance of hurting herself badly as she doesn’t absolutely comprehend the functioning of such matters. She’s hungry and in a chilling scene, shuts herself in the refrigerator and has a tough time getting out. In some other gut wrenching scene, she climbs her balcony railing to retrieve a doll which has fallen at the parapet. She doesn’t remember the fact that the mother has exceeded away and continues calling out to her, particularly when she’s hungry. She knows a way to take calls and does speak to the daddy on her mother’s mobile while he calls but isn’t able to transmit the gravity of the scenario to him…
The film is shot with a infant’s factor of view and as a result the camera moment in in the direction of the floor, making the whole thing round the kid colossal. It additionally on the whole indicates you what she sees. Being an adult you realize the dangers that she doesn’t and that provides that much sting to the story. The tale now not only addresses domestic violence, it also talks about the apathy of neighbours in metros. When the child climbs the balcony railing as an instance, a neighbour does spot her and instructs her to climb down but doesn’t observe up as to why the kid is authorized to do such risky things. The acquaintances don’t locate it curious that the calls of kachrawala and the milkmen go unanswered. The movie suggests you that we’re slowly dropping touch with our humanity while we pursue the chimera of money and social media friendships.
The film does fill you with in all likelihood terrible case eventualities however doesn’t go over to the horror threshold within the experience that not anything untoward simply occurs to the child. We’re lured toward a sad stop but the director doesn’t cross all of the way there, pulling up short ultimately scene and making for a softer finishing. The film may bring sun shades of Rajkummar Rao starrer Trapped but permit’s now not overlook that whilst Trapped had an executed actor inside the lead, here the movie revolves around a two-year-old and as a result the 2 films can’t be in comparison. It’s commendable the way little Pihu Myra Vishwakarma has essayed her position, and kudos to director Vinod Kapri as nicely for extracting such a natural overall performance out of the child.
Parents, who are genetically inclined to fear over their wards will genuinely have nightmares watching the film. Go watch the film for a story that absolutely differs from the same old escapist fare that Bollywood dishes out, doesn’t have a known name as the lead and yet manages to maintain you engaged…